小米狂捧自家小米兰亭字体，我却要吐槽一下格局

5月10日，小米发布了小米MAX大屏手机。发布会上，小米花了不少时间介绍自家的小米兰亭字体，强调自己是除了苹果、谷歌之外，全球第三

https://english.fontke.com/article/23914/

Focus On FontStructors – Tobias Sommer (shasta)

This is the sixth in our series of mini-​interviews with FontStru

https://english.fontke.com/article/1579/

Reviving Caslon

Part 1: The snare of authenticityHow much should a revival of a t

https://english.fontke.com/article/2548/

Create Your Own "招財進寳" Glyph

ChineseWhen the Spring Festival comes, Chinese people have many t

https://english.fontke.com/article/968/

FontFont Focus: FF Franziska For Bündner Tagblatt

Type is a crucial element in the branding of a newspaper. It defi

https://english.fontke.com/article/16731/

A Firm Turn Toward the Objective: Josef Müller-Brockmann 1948–1981

In February of 1989, I had the pleasure of meeting Josef Müller-B

https://english.fontke.com/article/10405/

TDC2 2010 – Type Systems

I'm a bit torn. On Twitter I announced I wasn't entirely happy wi

https://english.fontke.com/article/2144/

ScreenFonts: Chronicle, Perfect Sense, The Innkeepers, Bullhead, Gone

Well, my trip and Typekit engineer and web developer webfonts in

https://english.fontke.com/article/6854/

The Story of Our Friend, the Fat Face

Early 19th-century advertising handbill from the John Soulby coll

https://english.fontke.com/article/14430/

日本字体设计师——小林章

小林章是日本一位著名的字体设计师。Akira Kobayashi是一个地位巩固的世界知名字体设计师。他种类广泛的字体作品包括了从展示字体、经典作品重修和许多套坚实的正文用字体这一完整范围。在过去20年间，他在众多字体竞赛中获得殊荣，为无数字体工厂设计字体，在日本教授

https://english.fontke.com/article/1456/