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ScreenFonts: Diana, Thor: The Dark World, Oldboy, Mandela: Long Walk to Freedom
Observant readers may have wondered why I didn't review the poste -
Ampersand Conference 2011 Focuses on Web Typography
A little over a week ago I had a true rock'n'roll episode due to -
Focus On FontStructors – Ata Syed (thalamic / minimum)
For the fifth in our series of mini-interviews with FontStructo -
ScreenFonts: The Adjustment Bureau, Source Code, Trust, Madea's Big Happy Family, Fast Five
Whoa, did you hear that? That was the sound of January and Februa -
天格思设计的所有字体样式拼写的“typography”(字体排印)Type is Beautiful 一直关注中西文之外的文字设计 -
Grotesk 的过去与未来:Aktiv Grotesk 批评
备注:由于文化背景异同,英语系国家的 Grotesque 和德语系国家的 Grotesk 在历史发展中各自形成不同的独特形态。Gr -
Part 2: Readability, affability, authority[read part one]When the
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一、英文印刷新字体英文字体品种主要有白正细体、白正粗体、白斜细体、白斜粗体黑正粗体、黑斜粗体、花体、标题黑斜体、标题黑正体、斜黑体、书版正体、书版斜体、书版狭身正体、细黑正体、名片正黑体、美术正体、美术广告斜体、广告装饰体、广告狭身正体等。二、西
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ScreenFonts: The LEGO Movie, A Field In England, Robocop, Son Of God
Hunh? What is this, a second episode of ScreenFonts this month? W -
Peter Bilak 与 Satya Rajpurohit:印度字体设计访谈
采访/Interviewer:Dirk Wachowiak受访/Interviewee:Peter Bilak、Satya Raj


