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Garamond3LTW01-Regular RegularVersion 1.00
Garamond3LTW01-Regular RegularVersion 1.00
Garamond3LTW01-Regular Regular Font main detail
| Font family: | Garamond3LTW01-Regular |
| Font style: | |
| Font version: | Version 1.00 |
| Typeface type: | |
| Characters: | 254 |
| Number of glyphs: | 223 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: | |
| Source: | |
| File format: | |
| License type: | |
| Font embedding license: |
Garamond3LTW01-Regular Regular Name detail
Microsoft - English (United States)
| Copyright notice： | Copyright © 2015 Monotype GmbH. All rights reserved. |
| Font family： | Garamond3LTW01-Regular |
| Font Subfamily name： | Regular |
| Unique font identifier： | Monotype GmbH:Garamond 3 LT W01 Regular:2015 |
| Full font name： | Garamond 3 LT W01 Regular |
| Version string： | Version 1.00 |
| Postscript name： | Garamond3LTW01-Regular |
| Manufacturer Name： | Monotype GmbH |
| Designer： | Morris Fuller Benton |
| Description： | Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. There are several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. |
| URL Vendor： | http://www.monotype.com |
| URL Designer： | http://www.monotype.com |
| License Description： | This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com |
| License Info URL： | http://www.monotype.com |
Garamond3LTW01-Regular Regular Measurement detail
| Every Pixel unit: | 1000 | Size of superscript horizontal font : | 650 |
| Horizontal minimum: | -68 | Size of superscript vertical font | 600 |
| Vertical minimum: | -250 | Superscript horizontal deviation | 0 |
| Horizontal maximum: | 1019 | Superscript vertical deviation | 75 |
| Vertical maximum: | 842 | Size of subscript level font: | 650 |
| MacStyle: | 0 | Size of subscript vertical | 600 |
| Minimum readable pixel size: | 8 | Subscript horizontal offset: | 0 |
| Font directionHint: | 2 | Subscript vertical offset: | 350 |
| Ascending part: | 855 | Delete line size: | 50 |
| Descending part: | -250 | Delete line position: | 226 |
| Line spacing: | 0 | Font selection identifier: | 320 |
| Maximum step width: | 1000 | Typography ascending: | 855 |
| Minimum left side beraring: | -68 | Typography descending | -250 |
| Minimum right side beraring: | -92 | Typography spacing: | 0 |
| Horizontal maximum width: | 1019 | WindowsAscending part: | 855 |
| Non component maximum points | 132 | WindowsDescending part: | 250 |
| Non component maximum contours | 6 | Bevel: | 0 |
| Word weight type: | 400 | Underline position: | -150 |
| Word width type: | 5 | Underline thickness: | 50 |
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